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                   Director: Peter Lynch  
                  Cast: Steve Mann, William Gibson, Mitchell Kapor  
                  Country: Canada 
                    Year: 2001 
                    Running Time: 87 min  
                    Format: 35mm 
                   Artist, 
                    inventor, University of Toronto professor, and all-around 
                    cybergeek Steve Mann is a self-professed cyborg (part man/part 
                    machine). For decades he has lived his life "connected" to 
                    his self-invented machinery, including a one-hand keyboard, 
                    an eye-tap that allows him to view the world through a small 
                    TV screen, and a camera that that feeds to his website so 
                    that visitors can "be me rather than see me." As an artist, 
                    Mann's cybernetic photography, known as "dusting", is a beautiful 
                    process to watch. Meanwhile, he raises issues about public 
                    surveillance and private space, about body and machine, and 
                    the vision of reality in a logo-saturated world. 
                  Cyberman is an enthralling, sometimes hilarious look at a 
                    truly original thinker and provocateur, whom the filmmaker 
                    describes as a combination of "Professor Gadget and Michael 
                    Moore." The film takes a look at his interactions with his 
                    students, family, sci-fi author William Gibson, and department 
                    store security guards, often seen through the same video signal 
                    that Mann witnessed "first hand." 
                  --Skizz Cyzyk  
                  Presented By: Peter Lynch  
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                   Toronto's Peter Lynch has become one of the most important 
                    Canadian filmmakers for consistently stretching and exploring 
                    the boundaries of the documentary genre. Cyberman, 
                    and his previous two features, Project Grizzly (1996) 
                    and The Herd (1998) are all highly praised portraits 
                    of men driven by their single-mindedness. 
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